Avalanche Theatre Company has just posted their upcoming season! Check out the info on my theatre company!
As always, thanks for reading.
-K
Avalanche Theatre Company has just posted their upcoming season! Check out the info on my theatre company!
As always, thanks for reading.
-K
Check out Jon Jon’s curious article Inertia. Bonus: You get to find out what I’m up to while you’re reading it.
…
That’s a huge bonus.
Are you ready to rumble?
I am helping Liz Hansen and Jon Jon Johnson found Avalanche Theatre Company.
Who is Avalanche?
If you’re a DC fringe goer, you might recall a couple of shows; Sarah Kane’s Crave in the 2011 festival, and Despertar in the 2012 festival. Having done two years of fringing, Avalanche’s creative team was ready to make the jump to a full fledged company, and brought me on.
Why Avalanche?
The company catchphrases is ‘as subtle as,’ which I find fits my personality. I’ve always wanted to ‘one day’ have a theatre company, and so, when Jon Jon and Liz asked if I would be interested in co-directing their company, it struck me as an excellent opportunity.
Why Run Your Own Company?
There are many reasons to run one’s own company, many good, many bad. Many folks do it so they can select their seasons, which I think is one of the primary (and most legitimate) reasons for founding a theatre company. It’s a chance for people like me to use all their skill sets at once, rather than work as a token skill set for another company. For me, it’s a chance to create art in a dynamic, fresh environment with a supportive team. It’s also a chance to continue developing my theatre admin skills while at the same time getting to flex my creative muscles.
We had our first official meeting as a board yesterday, and we’ve got a slew of exciting plans coming up. I won’t say what they are just yet, but… you should be excited. I know I am.
How Do I Find Out More?
A good question, faithful reader, and one that I am prepared to provide links for:
The company website is:
Hello loyal fans,
FINALLY! This is up and running on the youtubes. You may remember me blogging about it here and here.
Let me know your thoughts on the video, and of course, come see Ecce! It opens this Thursday night at 8:00pm, and I have a feeling it’s going to be pretty great.
Again, thanks for reading.
-K
Hey all,
I know I’ve been gone for like, 2 weeks, but. Whatever. I know we’re cool. Anyway, I am particularly swamped this week (oy).
Between teaching for ETC, attending (or not attending) an awesome social media class at GMU, editing, and attending rehearsals, I am booked. Solid.
And yet I post. Will Wonders Never Cease?
No, I’m posting because I’m working on a semi-overdue trailer for Ecce at the Capital Fringe.
So, yeah, I’m in that show. We open on July 19th at 7pm. You should get tickets.
Okay, back to editing.
-K
Producing a show is a pretty fun experience, but it makes one realize – for all the technology in the world, if you want quick, productive feedback, nothing beats face to face meetings. I can think of no place more productive in terms of time spent than in a face to face collaborative meeting.
Now, I know there are nay-sayers out there – I’ve read Dilbert, after all – but in a super-collaborative process like theatre, face to face is vital. Now, granted, it’s not AS productive as the time one spends by oneself getting a task done, but for hashing out details, straightening out confusion, and getting everyone on the same page, the meeting just does it.
Granted, I have comparisons that I can make – other modes of discussion, for example. I find that, if its in writing, people will take more time to respond to it. If a meeting is verbal, the response is much swifter, and allows for a quicker flow of ideas.
In terms of collaborative clarity, here’s my hierarchy (best to worst):
-In Person Meeting (if there can be food/drinks there, so much the better). Everyone can see full expression from everyone else in the group, and there’s a sense of general commitment that comes with physical presence and generates, so far, a positive feeling.
– Skype/ Phone conversation – This is radio communication, basically – remote discussion. Very useful, very clarifying, very immediate. Not as fun or as personable as the in person meeting, but still very useful.
– Email. This is kind of a crapshoot. The shorter the email, the less info. The longer the email, the less someone will read. The least investment makes for the easiest upkeep but also means that it will inevitably get lost in an inbox.
– Texting. This is pretty much a precursor for any other kind of collaborative process. Short, sweet, to the point, not as strong a medium as a phonecall, with even less commitment than an email. Also, a crapshoot. This and the email can take the most time to get a bounceback response.
Granted, all these aspects are useful for collaboration and planning. But seriously, I really enjoy the social aspect of the meeting. It’s a wonderful excuse for friendly business/ arts folks to get together and hang out, while still getting things done.
I think basically this is a giant rant about how much I enjoy working with my artistic staff and marketing team.
Hey all! So I’ve gotten the creative bug again.. ADing and teaching will do that to ya… and I am looking for DC based artists with which to collaborate in a playwright’s group. Any takers, let me know.
Hey everyone!
Fringe tickets are now onsale at www.capitalfringe.org! Come see Santa’s Helper!
That’s right, rehearsals for Santa’s Helper started today at 10:00am! To reward all their hard work, come see our opening night show on Friday, July 9th at 8:30pm. The stellar six student cast is running 7 hour rehearsal days four days a week for the next two weeks with our fearless director Laurie Wolf and our fantastic AD Kristen Pilgrim. Check out the Santa’s Helper page for ordering information and directions!
Santa’s Helper opens in just one month! Make sure you get your tickets well in advance – Get a donor form and get your tickets reserved before they go on sale June 21st!