
i have done nothing

i have done nothing
It’s been a while since I’ve posted on this blog as a Fringe Producer. Mea culpa. One big reason is that I’ve been working with WSC avant bard for the past few months on a new project: video.
http://www.youtube.com/watch?v=mEp13CYVxQI&feature=g-all-u&context=G2897e9dFAAAAAAAAKAA
Avant bard is a great company; they take classic works and add a new spin. They’re Arlington- based, and for a DC theatre company in the 20-year-old range, they’re more vibrant and edgy than their peers. I actually got involved thanks to Tom Mallan, who I met through the Education Theatre Company, another great organization to whom I often recommend my fellow actors (and for whom I am also working on video).
When Tom interview me to work for ETC, I mentioned that I was interested in taking theatre and making the process more public, and he expressed interest in my business ideas.
The pages fly off the calendar, and we cut to work on a ETC film camp, where work is winding down, and Tom approaches me about his own adaptation of Henry I(V), parts 1 and 2, at WSC.
http://www.youtube.com/watch?v=L2f8jEYpgIU&feature=g-all-u&context=G2083040FAAAAAAAAJAA
The project is some ‘behind-the-scenes’ work, and fortunately, he has some equipment I can use, to take my idea of highlighting the theatre process and make it happen.
http://www.youtube.com/watch?v=sa3VOEdmmnQ&feature=g-all-u&context=G25eac24FAAAAAAAAIAA
http://www.youtube.com/watch?v=myTfAOmKhag&feature=g-all-u&context=G2cab68cFAAAAAAAAHAA
cut to the Artisphere two months later, and I’m working with KJ Fisher (WSC’s brilliant Managing Director), planning out a new series of videos for something called ‘Les Justes.’
http://www.youtube.com/watch?v=UdYY2Yg1Ea8&feature=g-all-u&context=G22509d0FAAAAAAAAGAA
Both the show and my videos have a very different feel from the Henry show:
http://www.youtube.com/watch?v=sx3MaE6Q2jI&feature=g-all-u&context=G2368c4fFAAAAAAAACAA
The weeks turn to months, and another show is up.
http://www.youtube.com/watch?v=pfqQ0N0LekA&feature=g-all-u&context=G20db6f9FAAAAAAAABAA
I’ve frantically run from arlington to fairfax, working on borrowed equipment and time, and producing, despite it all, products that real people are publishing on the internet.
I’ve gotten my own camera (a rebel t2i) and started saving up for an imac. And here we are on two more shows, The Tooth of Crime and The Bacchae, in rep at WSC.
It’s been quite the learning experience so far, with equal portions of trial (read: technological issues) and tribulations. I owe a lot of thanks to a lot of people, not least of which are Tom and KJ, but Connor Hogan as well.
Here’s my latest vid. Hope you enjoy, let me know your thoughts. I’ll be checking in more often: I promise.
http://www.youtube.com/watch?v=mBlGFwou6f4&feature=g-all-u&context=G220e6adFAAAAAAAAAAA
Producing a show is a pretty fun experience, but it makes one realize – for all the technology in the world, if you want quick, productive feedback, nothing beats face to face meetings. I can think of no place more productive in terms of time spent than in a face to face collaborative meeting.
Now, I know there are nay-sayers out there – I’ve read Dilbert, after all – but in a super-collaborative process like theatre, face to face is vital. Now, granted, it’s not AS productive as the time one spends by oneself getting a task done, but for hashing out details, straightening out confusion, and getting everyone on the same page, the meeting just does it.
Granted, I have comparisons that I can make – other modes of discussion, for example. I find that, if its in writing, people will take more time to respond to it. If a meeting is verbal, the response is much swifter, and allows for a quicker flow of ideas.
In terms of collaborative clarity, here’s my hierarchy (best to worst):
-In Person Meeting (if there can be food/drinks there, so much the better). Everyone can see full expression from everyone else in the group, and there’s a sense of general commitment that comes with physical presence and generates, so far, a positive feeling.
– Skype/ Phone conversation – This is radio communication, basically – remote discussion. Very useful, very clarifying, very immediate. Not as fun or as personable as the in person meeting, but still very useful.
– Email. This is kind of a crapshoot. The shorter the email, the less info. The longer the email, the less someone will read. The least investment makes for the easiest upkeep but also means that it will inevitably get lost in an inbox.
– Texting. This is pretty much a precursor for any other kind of collaborative process. Short, sweet, to the point, not as strong a medium as a phonecall, with even less commitment than an email. Also, a crapshoot. This and the email can take the most time to get a bounceback response.
Granted, all these aspects are useful for collaboration and planning. But seriously, I really enjoy the social aspect of the meeting. It’s a wonderful excuse for friendly business/ arts folks to get together and hang out, while still getting things done.
I think basically this is a giant rant about how much I enjoy working with my artistic staff and marketing team.
Check it out here!
http://dctheatrescene.com/2011/03/01/the-magic-paintbrush/
Looking forward to the Fringe again this year. This time around, I will be trying a bold new experiment of doing producing work not just one, but two Fringe shows! These shows include an award winning student play about magic in the Phillipines and a PBK scholar’s feminist take on Taming of the Shrew. Both of these students, by the way, are either now in grad school or will be after this summer.
So, the big goal for this year’s Fringe (besides putting on two amazing, really sold out shows) is to help raise money for those who will in two year’s time find themselves up past their necks in debt. However, we’re not just going to pass the tin cup around, no sir. We’re going to entertain you. Whereas last year’s Fringe plan was more or less all about our five fringe shows, this year’s plan revolves around that terrifying pile of debt waiting for me and my cohorts just a few years down the road. As a theatre entrepreneur, I feel like… hrmmm… getting some funds ahead of time miiiight be a good idea.
We’re looking at a summer that (hopefully) will be much more chock-full of entertainment goodies and opportunities to view these works in process, followed by discussion, drinks, and food. And, once you’ve paid for the entertainment, and feel like we did a good job (or like we definitely need to go back to school), feel free to help us fund our educations.
This time, we’re getting greedy. Hopefully it pays off – for you.
As we get closer to Fringe, this page will become more and more like the Santa’s Helper page from last summer, only with, you know, Two Shows instead of one.
This is going to be one crazy spring and summer.
This guy!!!!
This is my excited face: I GOT INTO GEORGE MASON MBA!!!
Now if only there were some way to raise money for it while doing theatre…
Hey all! So I’ve gotten the creative bug again.. ADing and teaching will do that to ya… and I am looking for DC based artists with which to collaborate in a playwright’s group. Any takers, let me know.
Working on a new Penguin panel for this next week… this one is also a cultural reference, which anyone who likes Saturday Morning Cartoons will definitely enjoy.
In less than 12 hours I will be in NYC getting ready to audition for the Blackfriars. Woohoo/ Yikes!
check out my penguins page to see just what happens when I listen to too much C-SPAN!