Process Apps

art

No no no not paypal.

I’m talking artistic process apps.

These include Fresco from Adobe.

This app has been good to me. For more on it, see my instagram account. I use Fresco there MOST of the time. For more examples, the posts I’ll be putting up every Thursday are built there. But! You like visuals. What is with Fresco, Keegan?

Fiiiine.

A recent creation – Umlaut, for a DnD campaign.

So Fresco is where I started Lightreaper and where I drew the first few panels.

What I love about it –

  • Layers
  • Intuitive Drawing
  • Touchpad like subtraction and zooming

What I hate about it –

  • there are limited features for shapemaking, like for example, tracing a circle versus filling one in (which you can do) which make exact art MUCH harder (maybe I’m missing something)
  • my touchscreen with it is finger-based versus pen based/stylus based so I can’t see it as precisely

That said, I’ve made a ton of art on it.

My next App I’ve used is Figma. I love Figma. Sometimes I don’t know why. But I do love it for gutters, narrative and speech bubbles, and layout planning, and for yeeting my text responsibilities over to James, my writer.

I need to get MUCH more used to Figma before I begin breaking it down, but I will say, it can get cramped by large file sizes/ text.

My third app I’m loving is Krita. It’s pretty great if you keep in mind the pixel counts mentioned by such greats as Jamie McKelvie. There are also a ton of useful posts on using it. I’ve found it cheaper than Adobe and as useful on my Cintiq.

So yeah! Those are my apps of choice. There is a HUGE difference between Fresco and Krita, which I will need to correct for as I move forward. I will say, Krita is not great on mobile, and Fresco is therefore more mobile, as it were, even if Krita is far more accurate and adjustable.

A Short rant

art

Hey folks – shorter day today. I meant to do a longer post here about my process (TL:DR – Fresno to Figma to Krita to Krita AND Figma… so far!) but instead I’m shy on time and out of spoons.

And AWAY. WE. GO!

A) What is with Facebook and its blog posting policy? Back in my day, I used to be able to publish these things right to my main personal page, and what’s more, I could do it while I was going uphill, both ways, in the snow, sleet, and rain! Now there’s 25 extra steps.

B) WordPress’s new block posting style is hella hard to go back and edit through. Lovely potential visuals, but it feels very clunky now. Granted, I’m just getting back into it.

C) Okay, there’s silver linings to every playbook. Having to post to pages means I generate content for Light Reaper’s social media (yay) even if it is twenty more steps to get eyes on the content (boo).

D) In further silver linings, this rant got me one more post for my own personal goal of a year straight of daily blog posts.

More visuals to come tomorrow – remember, the schedule goes…

Friday – Wednesday – Light Reaper Art Process

Thursday – off/ check my Instagram and personal page for DND art tips.

My focus on the blog tomorrow will be on using Fresno for making phone art.

Characters? Games!

art

…For all you homestar runner fans out there.

But no, while working on perspective, another issue I’ve come across is character faces. Specifically, background/crowd character faces. Specifically, making sure that each of the characters I’m setting up gets used and placed in a proper place. This has two areas of increasing complexity – bodies and faces.

These guys again?

I must love this panel! Or maybe I find it properly problematic. Anyway, you’ll note that each character here has a face. Should have just done smiley faces, or made them more shadowy.

Naaaaah.

Instead, each character here has their own body type and facial feature choices. So! I’ve got to place those jerks in matching panels as I work my way through. For example, on the next page…

Bruiser

This guy’s gotta be a lot smaller and seen from a ways below.

But I’m also futzing with the panel shot to make sure he’s in it. He’s the biggest threat these guys have got!

Mid Field

Is the guy below him. He’s got to be

a lot smaller than I originally sketched.

Handsome

He’s the prettiest person

I drew in that last panel. He

gets the Ezmerelda closeup

(thank you,

Hunchback).

Body Type

I am faithful to this with my characters, but I’m noticing my crowds get a little wonky. Case in point…

Professor here gets a workout on the next page…

Actually, when I really look at him, I realize two things (three if you count that his body is actually pretty consistent)

  1. His initial neck. Is way too thin.
  2. I gave that man MUTTON CHOPS! How dare I take them away…

But yeah, in summation, this is the tough part about character detail. I have to use my secondary screen to reference back to work I’ve made on previous pages.

As a note on viewability and process, my current workaround is to make PNG or JPEG versions of older pages I’ve “finished” so I can review them for details.

I think I’ll write more on this tomorrow with something about all the digital tools I am and/or have been using…

‘Til then, excelsior!

-Keegan

(dont’ forget to like our Facebook, follow our Newsletter and support us on Patreon!)

Perspective

art, Plans

So one of my biggest stumbling blocks as I get into comic book crafting is perspective. In other words, tonight for me is a back-to-school night… during the last week of the semester.

Like, I’m fine with figures. I’ve been drawing figures since I was in Kindergarten. But like. Backgrounds. Making them match up with figures and look good, simple, and defined… it’s tough. It’s time consuming. And it’s something I’m sure I’m doing ABSOLUTELY wrong.

This became a major issue for me in a combat scene in a classroom. It’s got some of that great classic comic book action, but it takes place in a very defined space. I think I approached this scene all wrong. Here’s what we’re working with:

A bunch of turtlenecked doodah’s cheering in a circular auditorium.

So let’s look at this. It’s a very steep auditorium. It’s in the round. They’ve got chairs. But then I need to build a combat scene for them, a podium, and a floor chair.

So I make this.

OTT?

Maybe. I want to be able to zoom in, zoom out, and reference a curve that makes a consistent space for a bunch of characters fighting in a large classroom (clearly here deeper than it is wide – it would likely be wider than this in a real class auditorium setting).

Right now my backgrounds look like this.

A little dark – literally, in the world, but also in the mood a bit, I think.

So as you can see, I’m dealing in more abstract terms right now. There’s *some* perspective, and granted, I’m messing like hell with where the viewer is (that bottom middle panel is a bird’s eye view… and my own take on darkened carpet).

So tonight as I revise my last three pages of the first issue, I’m bringing it back to the basics of backgrounds and journeymanning my way through Krita perspective tutorials.

Tonight’s mantra: “there has to be a better way.”

I’m trying this guide now (well into my first issue illustrations)

I’m also going back through these ones:

This is a awesome series with great workarounds and tips 🙂

Anyway, readers, hope you all enjoy! Don’t forget to follow our Newsletter and support our Patreon so you can see some great finished screen backgrounds I’ve been working on!

-Keegan

A New Creative Endeavor

art, Theatre Business, Uncategorized

So after three months of hard work, Greg Benson and I have our first big podcast episode out there.  It’s been hard work, but we believe that this thing really kicks ass.  Check it out:

https://barnoneradio.com/2016/06/04/sazerac/

As always, thanks for reading!

-K

Their Eyes Were Watching Dog

art, comedy?, Uncategorized

Having run afoul of public opinion, the international society of meteorologists (ISM) has decided to start using popular pet names.

“We figured it would avoid controversy,” said ISM head, Gene Ianesco.

This new choice has sparked immediate controversy, especially within ISM.

“Names that once sounded deadly will now instead sound kind of compensatory,” said P. Darlinquest, head nomenclator for ISM, who was opposed to the change from the start, thank you very much.

“Hurricanes like ‘Killer’ and ‘Destroyer of Worlds’ will obviously be associated with smaller hurricanes that make more noise and dampen the rug. However, gentler, calmer names like ‘Fluffy,’ ‘Pumpkin,’ and ‘Cuddles’ will likely be met with great fear, crossing the street, and vinegar spray.

Local pet owner bloggers have recently taken issue with Darlinquest’s comment.

“That is absolutely outrageous,” claims blogger dogluver1555. “As the owner of several pets, and a prominent member of the pet owning community, I can assure you that pet owners by and large lack a sense of irony.”

Dogluver1555 is known for his intense allergy to dog fur.

“Furthermore, claims like that don’t take into account simple descriptor names, like “frisky,” “furry,” “red,” or “dog.”

In response to these comments, Harvard p.h.D candidates Marco Salisbury and Paulo Stake conducted a rapid big data analysis to find a proper regression model.

“It took a ton of red bull and a couple cases of beer,” Stake said, “but we got some pretty conclusive evidence.”

Salisbury revealed a model at 12:15am to the Internet, showing a graph that only upper level academics could understand.

“It’s actually very simple, and thoroughly damning,” Salisbury claimed.

“Pet names like Fluffy, Sparky, or Nibbles were far less deadly than names like He Who Must Not Be Named or Harbinger.” Salisbury stated, jittering a little.

As this was a Harvard study, PhDs from other Ivy leagues quickly posted another 32 studies attempting to disprove its validity.

However, after intense all-night research, the host of slapdash studies found curiously conclusive evidence:

It turns out that psychologically, people do have an inbuilt sense of irony, especially when naming pets.

To this, dogluver1555 simply tweeted, “I don’t ):/”

Ironically enough, this naming system has guaranteed that in fact, unless pet naming culture changes, future hurricane names, unlike pet names, will no longer be ironic.

This was a response to the following post on hurricanes:

http://m.washingtonpost.com/blogs/capital-weather-gang/wp/2014/06/02/female-named-hurricanes-kill-more-than-male-because-people-dont-respect-them-study-finds/

Final Weekend of the Immortal Jellyfish, Scripts are now available!

art, Theatre Business

Couple of big items this week!  The Immortal Jellyfish performs its last weekend at the FallFRINGE!  Check out Alex Alferov, Johnny Day, and Mary Myers as they rock the socks off this new, original script… that I wrote!  Holy moly!

Speaking of new and original scripts, the Immortal Jellyfish is available for purchase online at http://blur.by/1eMxxa1!  Follow that link  to nab your copy of the World Premiere Edition of the Immortal Jellyfish!

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The Ultimate Halloween Hangover Cure

art, Theatre Business

…Is The Immortal Jellyfish!

photo (1)

90% water, 5% comedy, 5% wonder-drama, this stuff will have you up and sounding intelligent to friends and relations faster than scrambled embryos and microwaved fat cells!

…Graphic.

Our next sci-fi rom-dram hits The Shop at Fort Fringe this afternoon at 1:00pm! Be there by 12:45 to get solid seats… they don’t let folks in late!

The address is 607 New York Ave NW. Tickets are $15 with a Fringe button, or $20 without. If you hate cash purchases, you can buy tickets online anytime before [EDIT:]11:00am at https://www.capitalfringe.org/fallfringe-2013/shows/265-the-immortal-jellyfish

We look forward to seeing you all there!

Jellyfish and e-Book-ery

art, Plans, Theatre Business

So, the fun thing about publicizing my own show and book is what happens when I look at making an e-book…   ebook image     And what I’ve found from several sources is that you can make really interesting productions out of these things!  Now, I’m used to an ‘e-book’ being a digital rendition of  a book, but I was definitely wrong! “More Movie Than Book” In her 2011 article, “Are e-Books Any Good?” Lisa Guernsey discusses the impact of e-books on children’s learning, and while I ignored the quagmire of benefit versus bane to education, I just kept getting increasingly fascinated by the descriptions of what e-books could do! “huge, easily readable words, brilliant graphics, and an engaging recorded-voice narrator.” Uh. Please and thank you. I was already planning on making DVDs of my show.  I was also planning on publishing hard copies of my play.  But if I could make a published DVD-audio-book of my play?  How cool would that be?! Snap Back to Reality Now, the world premiere of The Immortal Jellyfish opens in just 7 days, so I have a lot of work on my plate already.  We’ve got lights, projections, sound, a set, some props, costumes, and actors to work with in our upcoming tech week.  Holy hannah. All that said, as appealing as an e-book is, I don’t think I’ll have it ready for the run of the show.  But something tells me that after show, after the DVDs are made and the scripts are delivered to Kickstarter backers, there may well be an e-book in the works. The Immortal Jellyfish will premiere Nov. 1 at 607 New York Ave NW, Washington DC at Fort Fringe – The Shop as part of the fallFRINGE.

Immortal Jellyfish at the FallFRINGE!

art, Theatre Business

Hello Interwebs!

It’s Keegan Cassady, your friendly neighborhood playwright.  I wanted to let you know that I’m producing my second self-written work, The Immortal Jellyfish through Avalanche Theatre Company as part of the FallFRINGE.

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Having lost his closest friend, Will is obsessed with finding a cure for death, and the answer just might lie in the genes of the immortal jellyfish.  But his fellow scientists have other ideas….

The show performs at:

Fort Fringe – The Shop

607 New York Ave NW

Washington, DC 20001

During the Festival, the Box Office at Fort Fringe will be open starting one hour before each day’s first performance – times are available below and at: https://www.capitalfringe.org/fallfringe-2013/box-office

Friday, November 1, 6:30-7:45

Saturday, Nov 2, 1:00pm to 2:15pm

Friday, Nov 8, 6:30pm to 7:45pm

Saturday, Nov 9, 3:30 to 4:45pm

Saturday, Nov 16, 10:00PM to 11:15 PM

Sunday, Nov 17, 1:00PM too 2:15PM

Under the direction of Kristen Pilgrim and featuring Alex Alferov, Johnny Day, and Mary Myers, this sci-fi thriller explores the epic of Gilgamesh through the lens of modern genetics.  With Kate Lee designing our costumes, Tim Nielsen developing our soundscape, and Kathryn Dooley stage managing, our production is attempting to create a clean, clear and complete world meshing science and myth.

We’d like to invite you to take part in our latest adventure, starting this November in Washington, DC.

Tickets are $15 with a $5 fringe button, and are currently available at the Capital Fringe site; https://www.capitalfringe.org/fallfringe-2013/shows/265-the-immortal-jellyfish

Tickets are also available by phone, calling 866.811.4111.

Thank you all for your support – I look forward to seeing you at the show!

-Keegan Cassady

Playwright, The Immortal Jellyfish