Avalanche Theatre $2000 Challenge

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Okay. You got me, internet people. I posted a $1000 fundraiser challenge for THIS WEEK at 5am this morning, and now we’re $57 bucks short of that goal. Fine. FIIINE.

I now throw down the gauntlet of a $2000 fundraising challenge by the end of the week. That’s 1/4 of the way through our Kickstarter goal, and 1/5 of the way through our overall reach goal.

Book Review: Game of Thrones – A Storm of Swords

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You may also know book 3 of GoT as “The One That’s just getting to be on TV.”

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I cannot wait.

I won’t lie to you, dear readers, I kind of changed my strategy with book 3.   After Books 1 and 2, I posted steady and concise reviews for each book.

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But then I got the GoT Bundle for my Kindle App… which I then put on all my devices.

 

 
So I sort of read ALL THE REST in one fell swoop. Thankfully, it’s kind of easy to distinguish between books 3, 4, and 5 in my memory, just due to the narrative structure.  More on that in my review of Books 4 and 5.

A Storm of Swords

Wherein Everyone Dies.  (Kidding!)  Actually, what I found is that Storm of Swords, or SoS, really ties together and builds upon a lot of great arcs that were building in books 1 and 2.

Essentially, SoS takes all of your favorite characters and makes sh** hit the fan for them.  Everyone’s plans go awry, every major character becomes a fish out of water in some way.  Some get what they’ve always wanted, some fight uphill battles, some are betrayed, and some die.

Fleshing Out Secondary Characters

My favorite arcs throughout this novel are still Jon Snow and Arya, with Bran as a definite third.  You know what, I’ll even throw in Samwell Tarly.

However, the third novel finds a novel way to make Sansa interesting.  Even if she herself is still a very limited character, she’s learned a lot from ‘Clash of Kings,’ and she gives us the closest perspective to Peter Baelysh (who is an incredible character IMHO).

As for Catelyn Stark, if you love her or hate her, she has a fascinating arc in this book, which introduces us to such wonderful characters as Brienne of Tarth, who will become an amazing foil for the Twins Lannister.   Without giving away too much, let us simply say that Freys are dicks.  That’s all.  In fact, that’s huge.  That’s kind of the one big moral point of the book.

Speaking of Lannisters, we see Tyrion kind of out of his element in this one, which is great.  Tyrion is Martin’s mouthpiece, as far as I’ve deduced, and really takes on an interesting arc after his shining hour in Clash of Kings.  Basically, no-one likes Tyrion.  Everyone picks on Tyrion.  It stinks to be a dwarf in a court ruled by your own jerk family.  And, as ever, the Lannisters seem to get more and more powerful while still being ABSOLUTE JERKS.

One great side character with which Tyrion becomes enmeshed is Varys, the Spider.  Like Baelysh, he’s one of the most interesting characters that doesn’t get a first person POV.

Tyrion’s perspective also gives us some insight to The Mountain that Rides (Gregor Clegane) and the Red Viper of Dorne, amongst others.  We still learn to really really hate Joffrey,  entertain a playful dislike of Cersei, and despise but respect the crap out of Tywin.  That guy runs Westeros like it’s Casterly Rock, if you know what I’m sayin’.

The Brothers Clegane both get some excellent examination in this book, and we start to get more and more influences from the greater world of the narrative.

While we’ve seen many sides to the Hound in the first three books, we  get to see the Mountain through both Tyrion’s eyes (as mentioned above) and through the eyes of Arya.  This gives us a Mountain-at-Court and a Mountain-at-large perspective.  That said, much of the Mountain is still defined outside of the man, through the actions and reactions of others.

Sam and Jon send us North.  Martin likes to expand his narrative boundaries, so he just full on sends his boys beyond the Wall in this one, to a world of Wildlings and walking dead.  The rangers are ragged, weak, and made of mixed men.  To be fair, so are the wildlings, just… there’s a lot more of them, and the north is their home.  But Winter is coming, and the wildlings are heading to the wall, led by a great secondary character by the name of Mance Rayder.

Looking back on the third book, I kind of forget what’s happened with Daenerys, just because her arc continues so smoothly through books 3, 4, and 5.  SHE IS MUAD DIB.

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Basically.  That said, she’s still very much in her own world in Book 3, where, as previously mentioned, things hit fans at high velocities (but mostly in Westeros).

Overall, Book 3 takes the general arc of the Lannisters being on top and watches what they do with that power in the faces of enemies that just won’t stay defeated.  Jon and Arya round out our world view by covering the Wall and all the little areas in between things, respectively.

Compelling Characters without Goals:

A note.  Arya Stark is such a compelling character in that she literally has no real goal, no definite place she wants to be, no real nemesis, but by God, Martin gives her some of his best writing.  She basically covers some of the largest geographic scope without having any definite accomplishments and is still the characters whose chapters I enjoy reading the most.

A Different Take on Characters

Whereas I feel that most fantasy literature focuses on the moral imperative of its characters, I feel like Martin really examines more closely the strategic elements thereof.  I like this approach because it lets Martin play with living, dying, succeeding and failing not in terms of who is the ‘best person’ but who is the most likely to survive, and in what context.   It also allows Martin the freedom to dangle the lives of the characters on their own choices, versus what ‘should’ happen in a properly moral setting.

This means that even the most morally reprehensible characters still act as interesting characters because whether or not they are wholly evil, they’re still players in the Game of Thrones.  It also means that characters deal with real-world incentives with their environments, and that street smarts and knowledge come in handy far more often than ideals.

Overall

Without spoiling everything, I will say that SoS was an excellent build on Books 1 and 2.  It ties together and expands all the arcs that were built up previously, has a strong pace, and is possibly my favorite book of the five book ser

In other Worlds…

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Chapter 6 of Witches of Iz is up!  It’s been a busy real world December, which means a sparse December on Iz.

Thanks for reading,

-K

Avalanche $1000 Challenge

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Avalanche Theatre Company has just reached 10 backers on Kickstarter!

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This kickstarter project is an omnibus fundraiser raising money for three shows.  The first show is A Bid to Save the World by Erin Marie Bergman!

The budget for this project is $1000!  Help us reach that goal this week, and help this story come to life:

 

In a world where death has stopped, three stories intertwine.  

                         …Two scientists try to figure out how people used to die…  

…A girl goes to speak to death itself…  

                       …A librarian who catalogs death tries desperately to reconnect with the man she loved…

 

Also, due to the nature of kickstarter, you do earn great prizes when you help make great art. Just saying…

For more information, check out the Kickstarter page here!

Follow avalanche theatre company’s blog!

Follow avalanche on twitter @as_subtle_as!

 

Thanks for reading, everyone!  Help Avalanche reach $1000 this week! (we’re halfway there already!)

-K

Kickstarter us Online!

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The Kickstarter for Avalanche Theatre Company is up and running!

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Check it out over at http://www.kickstarter.com/projects/586208974/avalanche-theatre-company-what-is-living-without-0?ref=live

You can also follow us on twitter at @as_subtle_as

Home Base

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Post christmas blogging, avalanche style. Check it out!

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The concept of “Home Base” really struck…er…home with me today. With the news that WSC Avant Bard lost its home in Artisphere, and visiting with a dear friend in town from LA, the concept of a base grows more and more important.

I won’t lie, Avalanche likes art that I feel a lot of people don’t like, or perhaps would prefer to shy away from. We like difficult, emotionally honest work. It seems difficult because we deal with parts of ourselves, as humans, that most of us choose to deny. I’m not saying we by any means condone the behaviours in plays that we like. Quite the contrary; we think rape, abuse, cheating, and brutality are horrible. However, we don’t try to hide the fact that they exist.

But this art is not as widely accepted as I’d like, because we as humans find the existences of uncomfortable things…

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Check out Jon Jon Johnson’s post on separating ‘acting’ from ‘real life.’ Spoiler: it’s not as easy as it seems.

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In today’s blog, I thought I would try to explain one of the most curious facets of being an actor: Transference.

I call it Transference, because I can’t really think of what else to call it.  Transference, in psychology, is the phenomenon wherein one redirects feelings and desires, especially of those unconsciously retained from childhood, toward a new object. Actor transference is slightly different.

As an art-form, Theatre is inundated in psychology. Unsurprisingly, too, as Theatre is an artistic study of people. Theatre artists dive into the minds of characters written on paper, wading through the various muck with only the clues of the script to give us hints. We muck about in this pool of clues, gently piecing together a coherent character. Directors, Actors, Props and Costume Designers tend to delve into this world in search of putting together a fully functional, three dimensional person. We have many tools…

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Going Corporate Part 1: EIN

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Making baby steps to 501(c)3 with my new theatre company!

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That’s right, folks. ATC is going corporate. Like, 501(c)3 corporate.

We’ll keep you up to date with this exciting process, which mostly involves us trying on different super- awesome looking suits.

So, first baby step happened last night: We filed and got our EIN!

What’s an EIN?

It’s a lot of discussion followed by a fairly painless birthing process.

It’s an Employer Identification Number, and it can be used for all kinds of magical, wonderful, totally not-boring things.

…Like filing more forms!

It’s that fun.

rumble rumble,

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Avalanche’s Anathema

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Here’s a great turkey day article on things we might consider Anathema, by Jon Jon Johnson of Avalanche Theatre Company!

Getting a Chance to Do What You Love

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A few thoughts I had from this weekend. Check it out on Avalanche Theatre Company’s website!

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My girlfriend and her mother were sitting shotgun and drivers’ seat, respectively.  The nighttime roads of the greater DC area were snaking by in their usual blur of grey and green, peppered with yield signs and do not enters and other signage rendered obsolete in the wake of DC’s vehicular bureaucracy.  I sat in the back, leaning forward, occasionally weighing in on the topic at hand.  You must understand, discussion with Mary and Joan is much like being a kernel in a popcorn bag, for the quips and the quotes pop up with such rapidity that to be a good kernel in the batch, one needs keep up.

We were discussing Mary’s latest vocal masterclass, which had been lovely for many reasons, chief among them one of the lessons taught by the visiting instructor.  The man’s name was James, the most accurate description for whom would be Donald Sutherland as…

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